A Fascist Century: Essays by Roger Griffin - download pdf or read online

By Matthew Feldman (eds.)

ISBN-10: 0230220894

ISBN-13: 9780230220898

ISBN-10: 0230594131

ISBN-13: 9780230594135

Ten essays at the nature of fascism via a number one student within the box, targeting tips to comprehend and observe fascist ideology to varied pursuits because the 20th century, Mussolini's prophesied 'fascist century'. contains stories of fascism's tried temporal revolution; Nazism as prolonged case-study; and fascism's postwar evolution.

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Nevertheless, occultism and visionary art were not the only channels through which such longings could be expressed in the ‘fin de si`e` cle’ – the very concept of which implied not only that a whole era of values and sensibility was closing, but that another might be opening. Other figures attempted to contribute to the inauguration of a new time through philosophy and social theory, Friedrich Nietzsche and Georges Sorel being outstanding examples here. Both thinkers specifically looked to (differently conceived) mythic energies rather than Enlightenment reason as the basis for of the regeneration of European society.

One of the contributors to a 1981 conference organised by the extreme right, Franco Cardini spoke about the need to create a new culture for the transmission of fascist ideas. His lecture was entitled ‘A quest for the roots of a conception of the world to come. ’ Cardini went on to assert that To restore ‘la festa’ means opposing the omnipotence of the capitalisttechnological system; it means rediscovering an ‘extraordinariness’ which acts as a qualifying limit to the everyday, and hence recreating the foundations of everyday reality itself so as to resist the temptation to conceive 20 Fascism’s Temporal Revolution time as a homogeneous entity and hence life as waiting for inevitable and irreversible destruction, as an anguish which can only be escaped through oblivion.

1 ‘I am no longer human. I am a Titan. ’ The Fascist Quest to Regenerate Time∗ The ‘revolutionary festival’ Some two decades ago, Mona Ozouf’s Festivals and the French Revolution1 provided impressive testimony to the centrality of myth and ritual in the dynamics of even a ‘modern’, ‘rational’ revolution purportedly carried out in the name of Enlightenment principles. Now that, at long last, some scholars are taking seriously the proposition that Fascism2 as well as Nazism3 attempted to create a new type of culture, it seems an appropriate moment to consider whether the conspicuously ritualised, theatrical component of both Fascism and generic fascism can be illuminated by the concept of ‘the revolutionary festival’.

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